Cover image: Mad Cans \u2014 part of Series 1 by Greg MikeI\u2019m not going to start by talking about Beeple. At this point, saying that Beeple sold a painting in a Christie\u2019s online auction for more than $69 million is so \u201ctwo weeks ago.\u201d I suppose the money must always be remarked on and the sum is remarkable.Non-Fungible Tokens (NFTs) aren\u2019t limited to art, of course. In fact, they are hardly limited to or by anything at all. They can be images, videos, and audio, historic, comedic, crass, or mundane fandom.At their root, NFTs are simple Ethereum-based smart contracts that can convey anything the seller intends. As we wrote about recently, NFTs have been applied to all manner of media from trading cards to clips of already publicly available video. They don\u2019t transfer any IP and don\u2019t generally give the buyer the reproduction rights. What an NFT does well is show a very clear transfer of property \u2014 a clear advantage for art and collectibles.NFTs are like real-world collectibles that come with a certificate of authenticity, except the certificate is the valuable part, and, in this case, the certificate is more like a receipt.Interest has taken NFTs from novelty setting to overdrive in short order, and it\u2019s natural for the art world to lead in ideas and innovation. Art is ever the partner of science, and therefore technology. So we spoke to a few NFT Artists to see where this is all going in terms of art and value.\u201cGreg Mike\u201d Mensching has been reinventing public spaces through a mix of art influenced by graffiti art and skate design for over a decade. He has created surrealist pop-art murals in cities such as Atlanta, Paris, Saint-Tropez, Taipei, Shanghai, New York City, and Los Angeles. Now he\u2019s set his sights on transforming\u2026<\/p>","protected":false},"excerpt":{"rendered":"
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